These vocal ranges are based on C4 being middle C, but Gounod's Ave Maria can be sung one octave lower if necessary. G major (vocal range : D4 to B5, original key).Please note also that in order to accomodate different vocal ranges, we offer Gounod's Ave Maria in different keys : The lyrics consist of one verse in Latin. The vocal range is D4 to B5 (C4 is middle C). This sheet music is set in the original key for Gounod's Ave Maria, G Major. Gounod entitled this arrangement for voice Mélodie religieuse adaptée au premier Prélude de J.S. This sheet music is based on Gounod's own original sheet music edition of this Ave Maria, first published in 1859. The notes in the last four measures are different, and the vocal version contains a supplementary tremolo measure.There are slight differences in note values : for instance, measure 6 contains a whole note in the instrumental version, but a dotted half-note, a rest and an eight-note in the vocal version.The tempo marking is Andante semplice in the instrumental version and Andante con moto in the vocal version.The melody is played twice in the instrumental version but only once in the vocal version.Bach, while the instrumental version is entitled Méditation sur le 1er Prélude de piano de S. The titles are different : the vocal version is entitled Mélodie religieuse adaptée au 1er prélude de J.S.
Please note that there are slight differences between the vocal and instrumental versions :
It was first performed in Paris on by the famous Mme Caroline Miolan-Carvalho, who also created the soprano roles in Gounod's operas Faust and Roméo et Juliette. In 1859, the melody was set to the Ave Maria prayer in Latin and was published in Paris by Heugel under the title Mélodie religieuse adaptée au 1er prélude de J.S. In 1853, a first instrumental version was published for violin (or cello) and piano under the title Méditation sur le 1er Prélude de piano de S. That same year, Gounod set his melody to the text Vers sur un album by Alphonse de Lamartine and had it published by L. In 1852, Gounod improvised a melody over Bach's Prelude in C from the Well-Tempered Clavier (written in 1722) which his future father-in-law, pianist Pierre-Joseph Zimmerman, wrote down and arranged for violin and small choir, a fifth above. Ave Maria - G Major Mélodie religieuse adaptée au 1er Prélude de J.S.
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